There’s also a Nick, another notorious mob enforcer and quick-draw.

Various other characters are jockeying for control of his empire, including Vic’s right-hand man Mickey Holliday, who everyone calls Mick. Characters constantly refer to people who spend most of the movie off-screen - like Vic, who supposedly rules the underworld (as he should, if the place is called “Vic’s World) until he went insane and was committed to an institution. The rest of the plot is just as incoherent as that genre-bending introduction. Why would you start a mob movie with no other science-fiction elements by introducing a sci-fi premise you never mention again? But in that case, it just raises more questions than it answers. It could be a jury-rigged excuse to explain the content of the rest of the movie, where a group of mob types systematically kill each other in a series of posh nightclubs without any interference from the police or any hint of a world beyond the handful of buildings where these gangsters like to hang out. The whole “parallel universe” line seems like a joke - except then the opening credits roll over a journey through outer space, which suggests that we are traveling to another universe. Why would you start a movie with the phrase “Many Years Later”? Many years later than what? The birth of the cosmos? But again, this is the first time we’ve seen Vic’s World, and it looks okay. I think it’s intended to suggest that “Vic’s World” is now not the “joyful” place it once was. This is the first shot of a physical location in the entire film. It’s technically impressive too produced, shot, and edited by alums from classics like Heathers, Quiz Show, and Twin Peaks. Every major role is filled with recognizable stars. It’s a mainstream Hollywood production distributed by MGM.

It wasn’t made by a dilettante who decided to squander his fortune on a vanity project and convinced a bunch of nobodies to come along for the ride. Or perhaps a celebrity couple who captured the country’s attention wanted to turn their offscreen romance into an onscreen one. In the rare cases where no obvious financial explanation exists, there’s usually a simple alternate motive: An untalented egomaniac with no cinematic experience thought they could make a movie and got their hands on enough money to give it a try. Or maybe a massive pop star thought she could become a movie star as well. When you dig into almost all of the contenders, you can find some sort of rationale why a studio executive looked at the project and said “Yes, this is worth spending millions of dollars on.” Maybe it was an attempt to adapt a hugely popular cartoon into an epic live-action blockbuster. A lot of movies can plausibly lay claim to the title of the worst movie ever made.

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